Tag Archives: Pat Bacon

From The Dirt to The Skies: Pat Bacon

“From The Dirt to The Skies” is on view at Main Street Arts through Oct. 4, 2019

“From The Dirt to The Skies” is on view at Main Street Arts through Oct. 4, 2019

From the Dirt to the Skies is a group exhibition featuring new works in painting, drawing, and printmaking from four of Main Street Arts’ gallery artists — Pat Bacon, Chad Grohman, Meredith Mallwitz-Meyer, and Lanna Pejovic. The artwork is inspired by fog-laden lakes, wooded paths, gardens, and objects plucked from nature. 

In the final interview of the series, executive director and curator Bradley Butler talks with Pat Bacon. If you haven’t had a chance to read the other interviews with artists Meredith, Chad, and Lanna, be sure to check them out and see the way their inspirations, motivations, and color palettes overlap with one another.


From The Dirt to The Skies: 
Pat Bacon

PatBacon

Q: Can you talk about the work that is included in the show and what inspired it?

A: I like reflections, looking in through water, what’s on the surface of water, what’s below it. The same with mud. I ended up printing a lot of diptychs for this show and while the imagery isn’t obvious, I feel like it’s more readable as a diptych. Putting two images together makes the print a little more solid. As singular images I thought they were a little too nebulous, a little too “floaty”. Showing them as diptychs gives the imagery a little more grounding and makes them
more readable. I’d like the work to transcend what it obviously is but I don’t want to make it so mysterious or so unrecognizable. It has to have some recognition, there has to be some point of reference. The singular pieces are from walks in the woods and my response to what I saw.

"Reflection" by Pat Bacon

“Reflection” by Pat Bacon

Q: Where did the diptych idea come from?

A: I felt the singular images were incomplete. If I’m looking at 50 images, two will seem to relate to me and inform each other and I’m hoping it does for someone else also. Why did I pick “those two” that seem to inform each other? You always have design considerations because you want it to look like two singular images but read as one statement but it’s an intuitive process. “The Garden” is a triptych, it just needed that balance. It had more of a cathedral effect with the corn on either side of the greenhouse.

"Garden" by Pat Bacon

“Garden” by Pat Bacon

Q: How does the work in this show differ from previous work? They definitely seem like related themes and images from past work but they are also different and new.

A: I have a new press and it’s bigger, I think that has something to do with it. To have more plate surface to work with building textures helps me. I was very happy with the burn piles and trees that I was working with last year and I felt that they worked well as singular,
standalone images or statements. These just work better as diptychs.

"Fire II" by Pat Bacon

“Fire II” by Pat Bacon

Q: What is on your mind while you’re working?

A: I collect all of my images, mostly on my iPhone and sometimes on my camera. As I’m looking through them, I sort out what I’m intrigued with most and then I’m looking at 100 images and they just seem to really speak to me. From there, it’s a process of deciding which ones I want to pull together. Sometimes I know that there are things going on in the world or in my life that is affecting those choices on a certain level, a more intuitive level. If people relate to my work, they relate to it on their own level with what’s going on in their own life. I don’t want to tell them exactly how to read it.

"Bridge" by Pat Bacon

“Bridge” by Pat Bacon

Q: Can you talk about a specific piece that is included in the show?

A: The one piece that evolved over the course of four years, is “Bridge”. I had done it originally using contact prints in the darkroom and I liked it that way. I also used this image in a triptych, and in a collage but I was never satisfied with the outcome. Then,
when I got my larger press I was able to do it as a double plate and I thought to myself, “Yes, this is how I always wanted to do it”. Through the manipulation of the plate I was able to draw out certain textures and tones that I wanted to come forward. 

For me, this piece has to do with transitions. Between one thought and another, between parts of your life, aging. I’m looking down from the bridge and you can see my reflection in the water and the textures you see are animal prints in the mud. The bridge is on the western edge of Lake Ontario, almost to Lake Erie. I stopped
at a small pull off just to look at the lake and I noticed there was a bridge on the road and I walked down the bridge and I realize there was this amazing pattern of tracks in the mud and I had to photograph it. The image just seemed so important to me.

"Mud Tree" by Pat Bacon

“Mud Tree” by Pat Bacon

Q: You work largely in black and white but there is always a tone, or a cast of warm or cool to your blacks. Can you talk about your color mixing? 

A: “Garden” has yellow ochre and heavy Portland black. With “Reflection”, I used Portland black and Cerulean blue. What’s nice about photogravure is that you establish your palette and then you open a can of black, open the ocre, the blue — depending if you’re going to go warm or cool—black just has such a nice voice between warm and cool as you respond to the image. A lot of these images I have done very warm or done very cool until I really hit on the black that I like. That’s why a lot of them are monoprints instead of editions. I respond to the plate differently every time I ink it, like a painter. And I want the ink to be heavy enough that you can smell it!
Ink is very sensual and tactile, just like paint is. With the heavy texture you can feel that, I want it lo look heavy and substantial.

"I Didn’t Hear You Fall" by Pat Bacon

“I Didn’t Hear You Fall” by Pat Bacon

Q: How does your environment impact your work? 

A: I live in the country and have for the past 40 years or so. I find that even when I’m in an urban environment, I’m taking pictures of the weeds in the sidewalk or the corner of a building that is deteriorating. I can’t seem to capture the essence of what is urban,
that’s why I like to look at urban photographs and paintings, those artists are capturing the vision of where they live, and that’s different from where I live.

I travel the state quite a bit and I get to stop in a lot of very rural places and take photographs, like the overgrown greenhouse in “Garden”, I just found it in a field and shot it. It was a nice unexpected thing to come across. I was so intrigued with this greenhouse and took about 20 shots and then I moved on and do something else.
A month later I pulled those images out and start looking at them, pinning them up on the wall in the studio and then finding other images to go with it. The greenhouse on its own seemed so incomplete to me. I printed it singular but it just didn’t work for
me. The corn images on either side of the greenhouse inform it on a design level with the cathedral effect of the tunnel of corn leaves and the architecture of the building. It also brings forward the idea of the greenhouse effect, global warming, and the earth
coming back and overcoming manmade structures. 

When I find images that work together it’s not a concrete thing right away, I don’t set out to make a statement about climate change. The substance or meaning comes through over time and you just know it when you see it. That process is pretty intuitive and sometimes I look at a print a year after I made it and say “wow, that says it for me”. Your work sometimes is ahead of your life and you can’t read it yourself for another 6 months or a year.

"Fire I" by Pat Bacon

“Fire I” by Pat Bacon

Q: Talk about your studio

A: My new press is in the barn studio next to my house. It was a cold spring, so in April I could print out there using a hot plate to warm the ink. Hopefully I’ll be able to use it up through November and then I’ll move into the house and use my smaller press.


From The Dirt to The Skies runs through Friday, October 4, 2019. Work from the exhibition can be previewed and purchased through the gallery’s online shop.

Cultivate_exhibition_4

From The Director: Cultivate

I often ask myself the questions “who are we?” and “how are we perceived?”. At this moment in time, I am being especially reflective and thinking about the larger vision of Main Street Arts and how we fit into the cultural context of our region and beyond. I am also thinking of what defines the gallery and our point of view. What gives us continuity year after year?

Installation shot from CULTIVATE; Left to right: work by Jody Selin, Lanna Pejovic, and Pat Bacon

Installation shot from CULTIVATE; Left to right: work by Jody Selin, Lanna Pejovic, and Pat Bacon

Above all else, I believe it is the process of curating. The careful consideration of what happens when two seemingly disparate pieces come together in close proximity in an exhibition. I want to present art in a way that gives a new context or a different understanding — a reexamination of something commonplace or well known. More than showing any one thing specifically, I am interested in the way we look at the world and at the people, places, and things within it. How the artists that we show interpret both the human experience and the world in which we live is integral. I look forward to each year of programming at the gallery with fresh eyes and an appetite to discover something new and interesting with the hope to share that with everyone who visits Main Street Arts.

Installation shot from CULTIVATE, In foreground, work by Chad Grohman

Installation shot from CULTIVATE, In foreground, work by Chad Grohman

CULTIVATE is not only an exhibition of great work by Pat Bacon, Chad Grohman, Patrick Kana, Meredith Mallwitz, Lanna Pejovic, Jody Selin, Mike Tarantelli, and Sylvia Taylor, it is also the start of something new. With this exhibition serving as the kick off event, we are starting to represent the work of these eight gallery artists. Thinking about the launch of our new program at Main Street Arts gets me thinking about where we have been and where we plan to go; as this comes on the cusp of our five year anniversary of opening the gallery in June of 2013.

Left: Our first exhibition,"Locality" in June 2013; Right: "Cultivate" in April 2018.

Left: Our first exhibition,”Locality” in June 2013; Right: “Cultivate” in April 2018.

I have learned many things since starting this journey as a gallery director and curator. Some have been practical and others have been existential but everything has contributed to getting us where we are at the present moment.

We have always made an effort to put together exhibitions that showcase engaging work in a variety of media from across the upstate New York region. As we move forward, we will hone in on this even more by mounting solo exhibitions and small group shows from our new roster of gallery artists. I am extremely excited about being involved with a select number of artists over a long period of time. The depth that we will be able to achieve by showing an evolving body of work from a group of artists presents great possibilities.

Left: Drawing by Tricia Butski, who will be featured in the upcoming "Upstate NY Drawing Invitational" at the end of August; Right: Work by Lin Price and Carrianne Hendrickson from "Dream State", January 2018.

Left: Drawing by Tricia Butski, who will be featured in the upcoming “Upstate NY Drawing Invitational” at the end of August; Right: Work by Lin Price and Carrianne Hendrickson from “Dream State”, January 2018.

In addition to showing the work of our gallery artists, we will of course continue to have the same kind of exhibitions that people have come to know and expect from Main Street Arts. From our national juried shows to the invitational exhibitions that bring together the work of different artists from across the region. Whether the exhibitions are media specific (i.e. our upcoming Upstate New York Drawing Invitational) or centered around some kind of subject or theme (i.e. Sacred Curiosities, Dream State), we will still continue our search for new work by artists we have yet to meet.


The exhibition CULTIVATE will run through Friday,  May 18, 2018. More information about each of the eight gallery artists can be found on our website. View available work on the gallery’s Artsy page.

PatBacon_OldOrchard_cropped

Inside The Artist’s Studio with Pat Bacon

If you want a label, today I would say that I am a “photographer/printmaker” knowing full well that I have a painter’s sensibility. I like to color outside of the lines and to experiment, which is not really a practice that is compatible with traditional photography or printmaking. There is a prescribed process and set of steps that you should follow.

Experiment with printmaking and fire

Experiment with printmaking and fire

Printmaking and photography, like all mediums require understanding and mastery. The intrigue for me is to gain mastery while not being a slave to the expected process. When working, I want to collaborate with the subject, using the chosen media to make the unspeakable into something concrete.

Hedgerow Fog, photogravure, 2018

Hedgerow Fog, photogravure, 2018

Burn Pile, photogravure, 2018

Burn Pile, photogravure, 2018

Currently my art incorporates printmaking, photogravure, and collage. Photographic images from my camera, scanner or phone capture a specific moment. What I do with those images after capturing them allows me to elevate the quiet and insignificant in a loud world. Each of my pieces carry the trace the marks of the process of making them.

"Old Orchard" and "Burn Pile", digital prints made from photogravure images with wax and oil paint.

“Old Orchard” and “Burn Pile”, digital prints made from photogravure images with wax and oil paint.

Art is not obvious. Art critic, Jerry Saltz once wrote “Art is for anyone. It just isn’t for everyone”. My work is not for everyone. I start working on something for the possibility of interacting with an image that has the potential to speak beyond the obvious.

Self portrait, in the fog

Self portrait, in the fog


Pat Bacon is one of eight gallery artists represented by Main Street Arts. She is featured in the exhibition CULTIVATE which runs April 7 through May 18, 2018. More information about Pat and her work can be found on our website. View more pieces by Pat Bacon on the gallery’s Artsy page.

From The Director: End of 2017 Edition

The last exhibition of 2017, "Small Works"

The last exhibition of 2017, “Small Works”

It’s the end of the year, so naturally we are getting into a reflective mood and reminiscing about all of the great things that happened at the gallery in 2017. This is also a time when we start to get really excited about new things on the horizon in the year to come. If you are thinking to yourself right now, “I wish I could look back at 2017 with Main Street Arts and see some of the exciting things coming up in 2018″, well you are in luck! Keep reading!

Top: Multifaceted, jewelry exhibition; Middle: Re-emerging artists: John Greene and Robert Marx; Bottom: Sacred Curiosities

2017 Exhibition Highlights – Top: Multifaceted, An exhibition of fine jewelry; Middle: Artist talk with John Greene and Robert Marx during Re-emerging Artists; Bottom: Sacred Curiosities

This year, we hosted  fifteen exhibitions on two floors including artwork by a total of 246 artists. Through five solo exhibitions, three two-person shows, four group invitationals, and three national juried exhibitions, we presented a variety of media and artistic perspectives over the course of the year. Highlights for me include hanging jewelry on the wall, hosting an exhibition featuring two artists with over 100 years combined art making experience, and an exhibition based on found objects.

2017 Finger Lakes Regional Student Painting Competition: Self Portraits

2017 Finger Lakes Regional Student Painting Competition: Self Portraits

We also held the 4th annual Finger Lakes Regional Student Painting Competition, which featured 5×7 self portraits by 203 student artists in grades 6 through 12 from 10 area school districts.

May/June, 2017 Artist in Residence, Nick LaTona

May/June, 2017 Artist in Residence, Nick LaTona

Our artist residency program, now well into it’s second year of existence, has been an exciting and meaningful addition to Main Street Arts. This year, we welcomed 18 different artists into our community, including our first ceramic artist in residence, Mandy Ranck, providing them the time and space to focus on making their art. We had artists from the Finger Lakes/Rochester areas; Brooklyn, NY; Staten Island, NY; Jersey City, NJ; Lenox, MA; Phoenix, AZ; and Austin, TX.

2017 Workshop Highlights – In order from top left to bottom right: The Beauty of Small with Cathy Gordon; Printmaking with Chas Davis; students from Penn Yan Academy on a field trip to the gallery making Collage/Assemblage pieces; Encaustic Collage with Ali Herrmann

2017 Workshop Highlights – In order from top left to bottom right: The Beauty of Small with Cathy Gordon; Printmaking with Chas Davis; students from Penn Yan Academy on a field trip to Main Street Arts, making Collage/Assemblage pieces; Encaustic Collage with Ali Herrmann

Artists in residence have the opportunity to teach workshops during their stay at the gallery. In 2017, we ran workshops with 7 of our artists in residence in the following media: ceramics, embroidery, encaustic wax, painting, printmaking, and mixed-media collage. We also offered several workshops in jewelry making and fiber arts with a handful of regional artists as the instructors.

Artist Talks

2017 Event Highlights – Top: Upstate NY Painting Invitational Artist Talk; Bottom, left to right: Sketch session with Andy Reddout and Genine Carvalheira-Geman; Artist talk with John Greene and Robert Marx; and Tintype Demo with John Coffer.

In addition to showcasing the artwork of great artists, we sometimes also ask them to come to the gallery to talk about their work. This year, we hosted artist talks with Robert Marx and John Greene in April in conjunction with their Re-emerging Artists exhibition, Genine Carvalheira-Gehman and Andy Reddout in March for their exhibition of sketchbooks on our second floor, along with a talk with 7 of the painters featured in the Upstate New York Painting Invitational in September. We also invited nationally-known tintype photographer, John Coffer to do a demo here in March as part of the Alternative Process Photography exhibition.

Students and their art teacher, Sherry Blanco during their field trip in October

Penn Yan students and their art teacher, Sherry Blanco during their field trip in October

In October, we also had a group of 15 art students from Penn Yan Academy come in for a field trip to learn about our Sacred Curiosities exhibition and to make their own mixed media collage/assemblage pieces!

Now onto 2018…

The first exhibition of 2018, "Dream State" will open on Saturday, January 13.

The first exhibition of 2018, “Dream State” will open on Saturday, January 13.

We have an exciting schedule of exhibitions planned for next year. Our first exhibition will be called Dream State and will include the work of four artists. Through painting, sculpture and photography, this exhibition is an exploration of time and space, a suspension of reality, and a journey into a personal mental space. The four artists included in this invitational exhibition are Matt Duquette of Buffalo; Bill Finger of Seattle, WA; Carrianne Hendrickson of Rochester; and Lin Price of Ithaca.

“Former King Ferry Scoreboard”, photograph by Harry Littell (Selection from the new book “UNROOM: New 2 U”, a collaboration with author Ron Ostman documenting the surrounding region, finding the beauty in the everyday built environment.)

Next up is an exhibition called Unknown, Overlooked, and Unfamiliar. This exhibition opens on February 24 and will present three distinct bodies of work from three photographers. Each series of images is an investigation into a unique and distinct subject matter. Presented together, the similarities and differences between each body of work will be amplified as parallels between different concepts are made. 30 Photographs by Jasna Bogdanovska, Harry Littell (pictured above), and Nigel Maister will be included and an artist talk will take place on Saturday, March 10 at 1pm.

Main Street Arts’ profile on Artsy, showing our eight represented artists

In April, we will open an exhibition called Cultivate and it will be an introduction to a new gallery program. Main Street Arts will be representing a roster of regional artists. This is something I have wanted to do for a few years and I am so excited to start with eight wonderful artists: Pat Bacon of Lyons, Chad Grohman of Buffalo, Patrick Kana of Geneva, Meredith Mallwitz of Canandaigua, Lanna Pejovic of Honeoye Falls, Jody Selin of Buffalo, Mike Tarantelli of Rochester, and Sylvia Taylor of Ithaca. Work by our represented artists is regularly available on Artsy and at the gallery. Expect to hear much more about this in the new year!

Photo from a visit to Lanna Pejovic's studio in June

Photo from a visit to Lanna Pejovic’s studio in June

There will be a solo exhibition each year for one of the gallery artists, and this year we are excited to mount a solo exhibition of paintings by Lanna Pejovic in October. Stay tuned for more info…

Aside from a solo exhibition and perhaps a group exhibition including these artists each year, I am still excited to have invitational exhibitions which include artists from our region and beyond. A majority of the year will still be filled with the types of exhibitions you have come to know (and hopefully love!) at Main Street Arts.

The Cup, The Mug 2017; our last show of the year on the second floor

“The Cup, The Mug”; our last show of 2017 on the second floor

As we continue to focus our efforts, things will be a little bit different on our second floor. In order to focus on the eight main exhibitions per year in our first floor gallery space and promoting the work of our represented artists, we will no longer have regular exhibitions on our second floor. That space will be dedicated to showing the work of our artists in residence, our gallery artists, and special pop up exhibitions.

And now for 2018 and beyond…

Finally, I would like to announce that this coming year Main Street Arts will be starting the process of converting from a commercial entity to a non-profit. From the beginning, in 2013, we have been graciously funded by Marjorie Morris and the Morris family. Mrs. Morris has, and continues to be, a wonderful patron of Main Street Arts and by extension, all of the artists we have been fortunate enough to show here. Moving forward with a non-profit status will allow us to function in a more sustainable manner and help us to continue to promote the work of artists for many years to come.

This also means that we are able to accept donations and are currently accepting them for a scholarship fund for our artist residency program. If you are interested in supporting our residency program, please contact the gallery for more information.

Main Street Arts, decked out for the holiday season, 2017

Main Street Arts, decked out for the holiday season, 2017

From the bottom of our hearts, we thank you for your support over the past four and a half years. We look forward to many more years of continuing our mission of promoting the work of artists from our region, encouraging the creation of art, and fostering a creative community through exhibitions, artist residency program, workshops, and events.

— Bradley Butler, gallery director and curator


There were so many great exhibitions, workshops, residents, and events in 2017 and it was impossible for me to talk about everything in a concise manner. So, I encourage you to look back and see everything in detail for yourself: 2017 Resident Artists, 2017 Exhibition History, Photo Albums on Flickr.