Tag Archives: animation

Meet the Artist in Residence: Sam Fratto

Sam Fratto artist in residence at Main Street Arts during the month of October 2019, is working in one of our two studio spaces on our second floor. We asked Sam some questions about his work and studio practice:

Sam Fratto, October 2019 artist in residence

Sam Fratto, October 2019 artist in residence

Q: To start off, please you tell us about your background.

I grew up in the surrounding area of Main Street Arts, Clifton Springs and Phelps, and spent my childhood playing sports and skateboarding with friends there. I was always into doodling for fun back then, but didn’t take drawing or art seriously until college.

It was during my time at Finger Lakes Community College, where I studied fine art and graphic design, that I got into animating through a program I purchased called Toon Boom. After graduating from FLCC I followed this cartoon fancy and went to the Academy of Art University in San Francisco where I studied traditional animation and obtained my BFA in Animation and Visual Effects.

Since, I moved back to upstate NY and have been working as a screen printer at Guerrilla Tees in Victor, while animating, painting, and drawing in my off time.

"Mind's Eye" by Sam Fratto, ink on paper

“Mind’s Eye” by Sam Fratto, ink on paper

Q: How would you describe your work?

My work ranges in subject and material. In animation, I have made various silly comedy shorts using digital software (like Toon Boom) and drawing pads, as well as glass painted animations that have a more serious and experimental feel to them. These glass painted animations, like my traditional paintings, tend to have dream like imagery that comes and goes.

A still from one of Sam's painted animations

A still from one of Sam’s paint on glass animations

Q: What is your process for creating a work of art?

For my glass painted animations, I work at a fast pace due to the nature of the materials and animating process. I will paint an image, sometimes thought of before hand and sometimes instinctually determined, and then I will take a photo of the painting with a down-shooting camera. From there I will alter the painting by adding or subtracting paint and snap another picture, repeat, repeat. I also really enjoy editing and adding sound post-animation to give the piece texture and depth.

"Dane" by Sam Fratto, ink on paper

“Dane” by Sam Fratto, ink on paper

Q: What are your goals for this residency?

My goal is to complete a glass painted animation that I have barely started. Like my other painted animation work, this one has no story. Instead it is an experiment in imagery and sound.

"Cloud" by Sam Fratto, acrylic

“Cloud” by Sam Fratto, acrylic

Q: What’s next for you?

I am very into painting acrylics on canvas right now and plan on diving as deep as I can into the medium after the residency. A part of this will be painting for the ‘Painters Painting Painters’ show at Main Street Arts, that I am excited to be a part of.

Q: Where else can we find you?

You can see animations and other work of mine on my website -> www.samfratto.com…and I am on Instagram @chubbychocolate1

Meet the Artist in Residence: Kara Lynn Cox

Painter Kara Cox artist in residence during the month of April 2017, is working in one of our two studio spaces for the month . We asked her a few questions about her work, life, and more:

Kara Cox in her studio at Main Street Arts

Kara Cox in her studio at Main Street Arts

Q: To start this off, tell us about your background. 
I am from Rochester, New York, but currently live in Yonkers. This move was accompanied by my studies at SUNY Purchase for my BFA in Painting and Drawing. I have been keeping track of my studio hours, and guesstimate I’m around 3091 hours at this point. (I’ve been keeping strict track of my studio hours starting at the rough estimate of 3000).

I sort of have a day job… I wear many hats. Currently I am a Listings Editor for Artcritical, and have published writing with them as well. I’m also a studio assistant to various artists, and I will often freelance odd jobs. This is the only way I could support my nomadic studio life style and still have a place to live in New York City!

"Interference Blue" (Acrylic paint, house paint, on canvas)

“Interference Blue” (Acrylic paint, house paint, on canvas)

Q: How would you describe your work? 
My preferred medium is acrylic (painting). I also draw realistic portraits of people and dogs, but I don’t consider it part of my practice. As of late I think the paintings operate in the liminal space between abstraction and realism. They are rooted in their abstract formal elements, but are contingent on the structure inherent to photography (and physical objects/subjects of the reference photographs).

I’m really interested in how perception influences each of our individual experiences. The paintings have addressed this in their formal properties, such as hyper-gloss, or slightly differing colors. These formal decisions require the viewer to physically walk around the painting, as it is never fixated in a single moment.

Q: What is your process for creating a work of art?
First my paintings start with my environment. 
My recent body of work originated from my attention to objects and surfaces that were easily dismissed or quite often devoid of monetary value. These quotidian objects felt deeply important to me; such as dirt piles, cracks in the sidewalks, or scuffs in the wall. I would then extract a pattern using Adobe Illustrator- either re drawing sections or using the program’s algorithms for selecting an element of the photograph and create a multitude of black stencils to project onto the surface of the painting. I think about the projection as if it were a grid…something to build off of and mold the image.

Still using this process I now think of my paintings as an exploration in perception, between subconsciously choosing what is brought to the foreground of my attention in an environment, and the way this information is translated through a digital lens.

Inside Kara's studio

Inside Kara’s studio

Q: What are your goals for this residency? 
I would like to utilize my time at this residency to produce a few new paintings, but also attempt to create a few short animations. I’ve been interested in making work about our perception of the immediate/physical world and how it is changed by our relationship to the digital/non-physical. I think exploring moments of quietness through extensive labor and the tedium of drawing them out frame by frame will allow me to respond in reverence to these dwindling moments of subtlety and stillness. I’m also interested in how a video might possess an unsalable quality, or have a veil of egalitarianism in its accessible/sharable aspects.

I’ve learned it is better to set very mild goals on a residency. This allows room for exploring new routes and ideas that may be unique to the experience, instead of shrouding new developments with an aggressive or unforgiving goal, mislabeled as productivity. I think some of the quietest, unsuspecting moments in our lives are the ones that fuel progress the most, and it is important to remain open to them.


Kara at work in her studio

Q: What is the most useful tool in your studio?
Hands down it would be my projector. Runner up is my computer. I’ve developed a real attachment to working this way, and these devices have really shaped my visual language.

Q: Who is your favorite artist and why? 
I would say Trevor Paglen with his investigation into data collection and mass surveillance, and Hope Gangloff with her incredible color relationships are equally tied in first place for me. Runner-ups might be Sarah Sze, Agnes Martin, Donald Judd, and Dan Flavin.

Q: What type of music do you listen to? How does music affect your artwork?
I listen to so many kinds of music, but I find that I listen infrequently. I think listening to music while working discourages mindfulness, so very rarely will I listen while I’m painting. I think it is important to be fully present in activities (which is probably encouraged by my interest in our relationship to the digital).

Yellow Sun (Acrylic paint, house paint, on canvas)

Yellow Sun (Acrylic paint, house paint, on canvas)

Q: What’s next for you?
I’m going to head back to New York, and try to wear fewer hats. I’d like to stop freelancing, and find a consistent part time or full time job. I’ve already found a very small studio to rent for a few months, so I plan on slowing down on the nomadic residency life style for now. Other than that, as long as I can keep making and seeing artwork… I’m a happy camper.

Q: Where else can we find you? 
I can be found on Instagram at karalynn_cox, website at karalynncox.com, and email at karalynncox@gmail.com

Are you an artist looking for new opportunities? Apply for a residency at Main Street Arts. Artists in residence will have 24-hour access to a large studio on our second floor (with great natural light), the option to show work in the gallery, and the opportunity to teach paid workshops. Housing is available. Submissions are reviewed and residencies awarded quarterly. Upcoming deadline: May 31, 2017 for a residency in July, August, September 2017.