Painter Stacey Rowe, artist in residence during the month of April 2017, is working in one of our two studio spaces for the month. We asked her a few questions about her work, life, and more:
Stacey Rowe in her studio at Main Street Arts
Q: Tell us about your background.
A: I moved from the Syracuse area to Rochester to attend college at Nazareth. I have a B.S. in Studio Art and an M.S. in Art Therapy. I think I started painting on canvas around the age of fourteen. I work as a freelance writer and public relations/ marketing consultant. I’m also the editor-at-large at (585) magazine. The flexibility allows me to do a residency like this.
Q: How would you describe your work?
A: I paint in acrylic and I’d describe my work as colorful, humorous, and often layered with symbolism.
Q: What is your process for creating a work of art?
A: I’m very cerebral about it. Meaning: I tend to think more than sketch when I’m planning a piece. I’ll jot down lists of ideas and go about researching. Then, I’ll sketch right on the canvas and start painting. There are usually one or two improvisational items that happen once I get into it, so it’s good that paint is such a forgiving medium!
Some of the Pantone People Series
Q: What are your goals for this residency?
A: I currently have three pages of ideas for the Pantone People series. These are smaller square works (6” x 6”) typically featuring a celebrity with some sort of creative play on the Pantone color swatch name. I’d like to put a dent in that list and also work on some larger pieces that will feature some of the funny animal characters I have created. I’m also going to teach a workshop on April 15. We’re going to have fun!
Q: What is the most useful tool in your studio?
A: I’ve been using “The Masters Brush Cleaner and Preserver” for years and it really is the best. I once left paint on a relatively new brush overnight and this totally saved it. It’s also great for reshaping and conditioning brushes.
Q: Do you collect anything?
A: Now that I’m older, I’m reducing my “Hoarders-Lite” tendencies. It’s tough because as an artsy person, it’s very easy to accumulate a lot of useless stuff! When I was a kid, I collected anything and everything – rocks, coins, different kinds of toys, and stuffed animals. I had a run on snowglobes for a bit. They’ve been in a few of my paintings. Since my father relocated, I only have one left and it’s kind of a relief. I still grab shells on beach trips and display them in a nice jar upon my return. I do have a few coins I’ve saved from my travels. I’d eventually like to see those in some form of jewelry. French Polynesian currency is particularly eye-catching.
“Goodbye Special Friend” is a painting I did for my graduate thesis in 2000. It features the only snowglobe I have left from the collection.
Q: Who is your favorite artist and why?
A: It’s so hard to pick just one here. I love Gustav Klimt for his gorgeous pattern work and all of that gold leaf. I love Andy Warhol for his pop sensibility. I love Frida Kahlo for her ability to tell a story through imagery. And, of course, there’s the king of color – Henri Matisse.
Q: Who are your favorite local artists?
A: I was incredibly happy that my college painting and illustration professor, Kathy Calderwood, had a show at RoCo last spring. It was great to see so many of her new paintings in a show. Lately, I’ve been interested in the work of Edie Small (Edith Lunt Small). She had a very intriguing piece in the RoCo member show in December. I’m always interested in what Sarah Rutherford and Andrea Durfee are doing because they are such incredibly skilled and powerful artists. I like what Shawn Dunwoody has done with street art and neighborhood beautification the past several years. He has fantastic energy and an ability to engage young artists and the general public. I’m also drawn to some abstract artists because their work is so different from my own – Brian O’Neill (who also does hyper-realistic work), Nate Hodge, and Bill Judkins – to name a few.
Nena Sanchez Gallery in Curaçao
Q: Where are your favorite places to see artwork?
A: Anytime I travel, I seem to wind up in a museum. I also love seeing the street art in other countries. Aside from the obvious choice (France), one of my favorite art destinations was Curaçao. In addition to the Kura Hulanda Slave Museum, I visited the Nena Sanchez and Serena Janet Israel galleries. The art community is very strong there. The architecture, floating market, and beach drinks aren’t too shabby, either!
Inside my studio at Main Street Arts
Q: What advice would you give to other artists?
A: There are going to be people who tell you to grow up and get a real job. Don’t listen to that noise. Yes, find something to pay your bills, but don’t give up on your passion.
Q: Who inspires you and why?
A: I consider myself to be pretty fortunate that a very strong, intelligent, creative, and independent mother raised me. Naturally, I’m drawn to likeminded individuals. Many people inspire me and I’m very lucky to know such a diverse group of creatives in both my personal and professional life.
Q: How do you promote your artwork?
A: I look for show opportunities and I use social media (primarily Instagram and my personal Facebook account) to get the word out. I’m often following up with people (a.k.a. nagging them) who express interest in a piece after a show comes down. I’m also planning on getting an Etsy or some kind of online shop going soon. I set an account up years ago but never had the time to figure it all out.
Stacey Rowe working in her studio at Main Street Arts as Snappy the turtle supervises.
Q: What type of music do you listen to? How does music affect your artwork?
A: I will listen to pretty much anything except country, but I have to be careful that it’s not too funky – I’ll get distracted and won’t get anything done!
Q: What’s next for you?
I’m working on getting some work in a few galleries outside of New York because I have family in Florida and several friends who have moved out of state. I figure it might make for a good excuse to visit!
Q: Where else can we find you?
A: My website, Twitter & Instagram
Are you an artist looking for new opportunities? Apply for a residency at Main Street Arts. Artists in residence will have 24-hour access to a large studio on our second floor (with great natural light), the option to show work in the gallery, and the opportunity to teach paid workshops. Housing is available. Submissions are reviewed and residencies awarded quarterly. Upcoming deadline: May 31, 2017 for a residency in July, August, September 2017.